The relation between the spatial organization and the human subject is at the core of the nocturnal photos made in the railway station. Due to the unusual proportionality of the top-view pictures, the depicted figures seem to be tiny spots crossing the system of the station. In the dystopic pictures of the Station series (2004) the angle of view that makes the human figures appear small and the signage of the railway station that reminds of the image of a geometric net point towards the idea of the controllable human being and the predestinated nature of its route.